Vaazhai Movie Review : Powerful performances shine in an otherwise black-and-white tale

Vaazhai Movie Synopsis:

Vaazhai Movie Review: Vaazhai, based on true events from Mari Selvaraj’s life, is a film deeply rooted in his land. It tells a tragedy that unfolds through the eyes of Sivanendhan, a school kid living with his mother and sister in Puliyankulam village near Tirunelveli. Mari wastes no time introducing the back-breaking labour of carrying banana plantains, a task doubly taxing for Sivanendhan and his best friend, who juggle this work with school, leaving them without a single day off.

The film presents picturesque snapshots of the countryside, with affecting sounds that marry the harshness of their lives with the mud that they come from. From the outset, it’s clear we’re in for an earthly affair that’s firmly grounded in the backgrounds of its characters. It follows Sivanendhan (Ponvel), a young Rajini fan, as he splits his time between studies and weekend labour. His best friend Raghul (Sekar), a Kamal fan, works alongside him to help repay a loan left by Sivanendhan’s late father. Despite the constant pain from their heavy labour, the boy remains focused on his studies and finds moments of joy, like his crush on teacher Poongkodi (Nikhila Vimal).

Kani (Kalaiyarasan), a local, fights for better wages and clashes with the upper-caste landlord, showing the village’s struggles. As the story progresses, a missing cow leads to a confrontation with a broker. The narrative thus shows the consequences of missing a day’s labour, juxtaposed with the relatively normal childish joys that these kids find in school.

True to Mari Selvaraj’s style, the film dives into caste dynamics. It sets up a whole ecosystem: villagers breaking their backs in the plantation, a broker playing middleman, and when Kani tries to organise a strike, the big boss shows up to smooth-talk their demands away.

Mari tries to win the audience over with some neat little moments. There’s a hilarious debate between the kids about Rajini versus Kamal that’ll crack you up. Then, there’s Siva’s cheeky move of swiping his teacher Poongkodi’s kerchief, which turns into this sweet bond. Cue a breezy scene of Siva hitching a ride on Poongkodi’s two-wheeler to the rice mill, complete with a catchy tune. These lighter bits, sandwiched between the tough stuff, are meant to hit you right in the feels. When it works, it’s a gut-punch — both heartwarming and heartbreaking.

But there’s only so much sympathy to go around. The film’s so busy painting this black-and-white picture of the downtrodden versus the village bigwigs that it forgets to add some shades of grey. Sure, Siva’s a great kid with potential, and yes, the villagers have it rough. But when the baddies are just your typical moustache-twirling landlord types who seem to own people, it’s hard not to roll your eyes a bit. The film’s begging you to feel bad, but by making everything so cut-and-dry, it actually makes it tougher to stay connected.

The acting in Vaazhai is a standout. Ponvel and Raghul, the young leads, deliver stellar performances that keep you glued. Their on-screen chemistry is top-notch, with Ponvel especially shining as he carries the bulk of the emotional weight. Nikhila Vimal nails her role as the kind, sympathetic, and attractive village teacher. Kalaiyarasan and Dhivya Duraisamy round out the cast nicely, helping to establish the film’s social dynamics.

Craft-wise, the film holds its own. Theni Easwar’s cinematography is a highlight, capturing the countryside and banana plantations with an eye for earthy details like animals and insects. Santhosh Narayanan’s score complements the visuals perfectly, alternating between airy lightness and oppressive heat to mirror the story’s emotional beats.

Vaazhai has got heart and looks the part, but it could’ve used a bit more grey in its village tableau.

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